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Review of
Lost in Space: Guido van der Werve at SMBA
Review of David Claerbout, Museum Boijmans, Rotterdam
Browsing the future: the third International Browserday
Review of
Year of the documentary film, again
The camel as cow, a cautionary tale
Review of Julika Rudelius, Galerie Diana Stigter, Amsterdam
Patent fights are a legacy of MP3’s tangled origins
Review of Guy Tillim at Foam, Amsterdam

Review of "Mercury in Retrograde", De Appel, Amsterdam

History is rife with ambivalence, rehabilitating some of its characters over time and newly castigating others. Many of the works here addressed these concerns by re-examining historical episodes now largely forgotten, misunderstood or simply regarded as inconvenient.

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Lost in Space: Guido van der Werve at SMBA

Like van der Werve’s films, the history of transportation is also littered with quashed dreams, failures, and falls: grandiloquent names like Concorde, Challenger, and Titanic almost precognitively augured their own spectacular demises.

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Review of David Claerbout, Museum Boijmans, Rotterdam

Starfish, it was once thought, led a largely static and plant-like existence. Yet the advent of time-lapse photography in the 1950s unveiled their secret world: a rich, slow-motion society replete with many of the curious behaviors common to the rest of the biosphere.

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Browsing the future: the third International Browserday

Designers here gathered to examine whether browser mania is just the latest form of "reinventing the wheel," arguing that typographers have spent centuries successfully honing the art of readability. Why add yet another meta-layer of color-coordinated symbols and rotating orbs that first need to be studied before being put into use?

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Review of "A Story of Art and Music": BOZAR, Brussels

The cozy relationship between music and art has been the focus of many recent shows, prodding BOZAR to steer clear here of art–music dabblers and dilettantes, and focus instead only on artists who treat music and visual art as equals.

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Year of the documentary film, again

If sheer numbers mean anything, the much-discussed documentary-film revival of the last year continues unabated. What remains less clear is whether the documentary world's next wave will remain as firmly polemical as the last, which grabbed attention and a surprisingly large share of the box office for hard-edged message films.

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The camel as cow, a cautionary tale

A Dutch farmer is currently the only one in Europe with permission to sell camel’s milk. He saw an untapped market in the rising number of immigrants to Europe from Somalia and Morocco, where camel’s milk has long been popular for its supposed curative properties.

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Review of Julika Rudelius, Galerie Diana Stigter, Amsterdam

After so many tales of posed famine victims, scripted reality TV and staged military rescues, disbelief of visual representation has become a reflex.

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Patent fights are a legacy of MP3’s tangled origins

Until now, the most prominent holder of MP3 patents has been the Fraunhofer Society of Germany. But other companies, including Thomson, Philips and Alcatel-Lucent, are increasingly being backed up by aggressive enforcement efforts.

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Review of Guy Tillim at Foam, Amsterdam

Just as most British towns have a street named after Queen Victoria, many African cities have an Avenue Patrice Lumumba, named in honour of the Republic of Congo’s first democratically elected leader. South African photographer Guy Tillim took pictures of many of these eponymous streets in Angola, Benin, Mozambique, Madagascar and the Democratic Republic of Congo.

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