This exhibition is meant to recall that atmosphere of Francis Alÿs, while at the same time critiquing the very format of the solo exhibition – in this case, a group show standing for a solo exhibition whose protagonist is only conceptually alluded to.
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Like van der Werve’s films, the history of transportation is also littered with quashed dreams, failures, and falls: grandiloquent names like Concorde, Challenger, and Titanic almost precognitively augured their own spectacular demises.
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Participants in the Scrapyard Challenge make simple electronic controllers using found materials like computer parts, household appliances, turntables, monitors, gadgets and clothing, which also shows how easy it is to re-use technology to serve a new purpose.
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Van Harskamp shows not only how mutable authoritarian identities are and how easy it has become to assume them, but also how willingly civilians submit.
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